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Fathom Fidelity’s origins started when I began recording high school bands in 1994 on 4-track tape machines. In 1996, ADATs were purchased and the name Rock Alive Studios was adopted. By 2002, the 24-track ADAT system was sold and a hard disk based system purchased. During this period, the business plan was reworked to better suit the times and the name was changed to Fathom Fidelity. The summer of 2003 saw the move to ProTools, which is the present platform employed.

 

I have done engineering, mixing, producing and mastering work for many singles and records, ranging from local talent to major label releases. Numerous Top 40 CHR, CMJ and Smooth Jazz radio singles and Billboard Top 200 spots have come from my work at Fathom Fidelity. Many projects go from start to finish here, while in some cases, I perform only tracking, mixing or mastering services for records.

 

Today, I continue my pursuit in working with great artists and bands. I have wide ranging tastes in music and production styles and enjoy suiting a band’s unique sound to a recording style that is befitting to them. Solo singer/songwriters have also been popular with me, as we work together, forming arrangements with a full backing band.

 

I tend to be a bit of a purist when it comes to recording. Of all the songs I produced/engineered available for listen on this website, none of them use any performance quantization (some MIDI sequencing notwithstanding), sound replacement, sample support, guitar amp modeling or pitch correction. I have appreciation for human expression and movement of air and believe it makes for a better end in most cases. There have been times these tools have been implemented and certain music styles lend themselves well to it, so I am not completely adverse to the use of such techniques. My goal is to serve the song.

 

I encourage you to contact me if you like what you hear!

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